While the first co-production is still forthcoming, Thailand began feeling the impact of the Chinese industry’s rise in 2013. In August, GTH revealed a partnership with Hong Kong hitmaker Stephen Chow to co-develop the first Thailand-China co-production for the China market. GTH, the local studio behind Pee Mak and a string of other youth-oriented hits, then announced that it has begun setting its sights on an even bigger moving target. The film pulled in $35 million, more than tripling the $11 million gross of prior box office champ, The Legend of Suriyothai ( Transformers 3, Hollywood’s most successful film ever in Thailand with $10.2 million, is the all-time number three).
Thai director Banjong Pisanthanaku‘s Pee Mak Phra Khanong, a rom-com take on a well-known local folk story, redefined the scale of Thailand’s movie market in 2013.
Here is a closer look at some of the big film industry stories of 2013 in Southeast Asia: And Cambodia’s Rithy Pahn did his emerging country proud, winning the Prix Un Certain Regard at Cannes and being honored as the Busan Film Festival’s Asian Filmmaker of the Year. Indonesia’s monopolistic cinema sector prepared for a major shakeup, while Philippine cinema had a banner year, with more international exposure and interest than in any period in recent memory. Iron Man 3‘s global domination stretched all the way to Myanmar, where the country’s media and entertainment sectors continue to make gains after decades of military rule. Thai studio GTH smashed the country’s box office record with ghost comedy Pee Mak.
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